![MA Fine Art Degree Show: Post[age]](/img/asset/aW1hZ2VzL3Bvc3RhZ2UtZmluYWwtd2ViLmpwZw==/postage-final-web.jpg?q=75&w=2500&h=1400&fit=crop-37-38-1&s=d17995a3c2b6e0121279992edba029f8)
Exhibition
11am-5pm
15-18 August
Peter Scott Gallery
Price: Free
Exhibition opening
14 August 5:30-7:30pm
All welcome
Lancaster University’s MA Fine Art cohort deliver their summer degree show exhibition, entitled ‘Post [Age]’, at the Peter Scott Gallery. The eight artists present their collections of artworks on themes of time, place, technology and environments. The exhibition features a range of art including painting, sculpture, drawing, installation and technological artwork. Through these pieces, the artists integrate themes of human and nonhuman, the digital and dialogical into a stimulating collective exhibition.
Exhibiting Artists:
Charlotte Chisholm’s work investigates ‘place’, revolving around our embodied relationship with where we are and how our material experience of 'place' speaks to what we are.
Isabel Crabtree Parker explores relationships of dialogue with the environment, creating a ‘language’ of interaction represented in painting, drawing and audio.
Margaret Crane’s work focuses on dark illumination, where revelation, inspiration, and imagination come together in her practice, inspiring close observation and contemplation.
Ash Fox presents a series of prints and zines documenting an on-going dialogue between the artist as facilitator, with plants and participants as creative collaborators.
Maya J. Meadows focuses on the inter-communication of displaced objects assembled within her archival series of paintings.
Gregory McCool’s paintings focus on the push-and-pull between figurative and abstract shapes working with chance encounters with materials to produce work in response to the ‘Sublime’.
Orisa Pather displays a fabricated world confronting questions about whether digital identities can capture the fluidity of human nature and how they can form collective identities over time.
Abbi-Jane Sargeant explores fungal growth and ‘mycoremediation’, employing drawing as an investigative research tool to examine themes of growth and environmental crisis.
